The awareness of reproducibility in Gleyzer and Mayolo/Ospina

Authors

  • Jonathan Gutiérrez HIbler Universidad Autónoma de Nuevo León

DOI:

https://doi.org/10.29105/aitias4.8-91

Keywords:

Cinema, Walter Benjamin, Mechanical reproduction, Revolution, Awareness

Abstract

The following paper does a revisiting on the ideas of Walter Benjamin about The Work of Art in the Age of Mechanical Reproduction. From the changes inside the industry and the revolutionary movements, this paper analyses two pieces of cinema in which the mechanical reproduction is something they acknowledge whether as a critic to Luis Echeverría's goverment or whether the european TV industry. The ideas of Walter Benjamin are still important in many ways, but it is requiered to talk again about it because of the new dynamics  in cinema and the digital world. 

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References

Benjamin, W. (2003). La obra de arte en la época de su reproductibilidad técnica. Trad. Andrés E. Weikert. Itaca.

Gleyzer, R. (1971). México, la revolución congelada. Cine club invasión. Youtube. https://www.youtube.com/watch?v=Pkxde6X75lY&ab_channel=CineclubInvasi%C3%B3n.

Mayolo, C. y Ospina, L. (1978). Agarrando pueblo. Big sur. Vimeo. https://vimeo.com/6086559.

Ospina, L. (2011). Oiga/Vea: sonidos e imágenes de Luis Ospina. Colección Artes y Humanidades. Universidad del Valle.

Ruffinelli, J. (2012). América Latina en 130 documentales. Uqbar.

Štrajn, D. (2017). From Walter Benjamin to the End of Cinema. Identities, Illusion and Signification within Mass Culture, Politics and Aesthetics. Pedagoški Inštitut. DOI: https://doi.org/10.32320/978-961-270-252-6

Published

2024-07-17

How to Cite

Gutiérrez HIbler, J. (2024). The awareness of reproducibility in Gleyzer and Mayolo/Ospina. Aitias, Revista De Filosofía Del CEH, 4(8), 149–181. https://doi.org/10.29105/aitias4.8-91

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